Rosenberry Books blog

“… to anyone seeking poetic enlightenment” — an’ya

Yes, I do believe that Rosenberry Books is the Cirque du Soleil of the publishing world and recommend them to anyone seeking poetic enlightenment.

Their website exudes vivaciousness, explodes with color, and is full of spiritual enthusiasm!

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“Visual Storytelling”

It is truly refreshing when you just know that you’ve made a correct decision. This is how I personally feel about having Rosenberry Books publish my works.

In this harsh world of crimes and war, it is extremely important to have the fine arts and other related forms of educational entertainment available to people of all ages.

The good folks at Rosenberry manage to share an inner peace through delightful humor, and imaginary realness — much like the Cirque du Soleil does with it’s visual storytelling.

— an’ya

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Holy Mountain review…

“Washington National Cathedral offers On All My Holy Mountain in its Christmas catalogue”

Wilson-Hartgrove said he “was struck by the beauty” of Rosenberry’s final product, “what the monastic tradition calls the illumination of the text.”

Rosenberry also produced another handmade tome, A Word in Season, how good it is! A Christian Year in Sermons, a compilation of sermons delivered by 11 preachers of the Chapel Hill Mennonite Fellowship. The sermons of Wilson-Hartgrove, Villegas and four others with ties to Duke Divinity School, Fred and Elizabeth Bahnson, Alex Sider and Peter Dula, are included in Word in Season.

Katz won’t say how much time goes into making her books. “We like to make things with our hands,” she said. “I don’t think I can tell you time, We don’t get paid for our time here.”

The Washington National Cathedral museum store also chose to list On All My Holy Mountain in its 2006 Christmas catalogue, an honor which signifies the cathedral’s commitment to global peace and grassroots endeavors like Rutba House.

Both books can be ordered from the publisher at www.rosenberrybooks.com or by calling 1-800-723-0336. Profits from “On All My Holy Mountain” go to the work of Rutba House.

At the Heart of the Peace Church Tradition, part 3, by Patrick O’Neill
Divinity Magazine, winter 2007, volume 6, number 2

Posted in Fraktur Spiritual Folk Art | Leave a comment

… works of art. Thanks for keeping my spirit happy.

The new web site is fantastic — feel like I’m in a technicolor dream.

Just purchased yet another book — that makes number 10 in my library.

I write haiku so I’m drawn to the contents, but the covers could easily be hanging works of art.

Thanks for keeping my spirit happy.

Elizabeth, Point Venture, TX

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Holy Mountain review

“in its artistic beauty, has the feel of a sacred text.”

When someone picks up On All My Holy Mountain: A Modern Fraktur to read the inspiring words of Duke Divinity graduates, Jonathan Wilson-Hartgrove and Isaac Villegas, at first they may think they are reading from a one-of-a-kind handmade text.

The cover, made from Italian fiocardi stock, is bound together with a coarse linen cord fashioned into a bow. Inside the book, brilliant color panels, each printed on beautiful sheets of textured paper, appear to be hand drawn. The book, in its artistic beauty, has the feel of a sacred text. Instantly, the reader embarks on a multi-sensual journey, and that’s just the way publisher, Diane Katz at Rosenberry Books likes it.

Katz, who met Wilson-Hartgrove and Villegas when all of them were worshipping together at the Chapel Hill Mennonite Fellowship, asked the two young preachers to help her create, “On All My Holy Mountain,” a 58-page handcrafted book that offers the pair’s personal reflections on numerous scripture passages that Wilson-Hartgrove calls, “the heart of the peace church tradition.”

Katz approached Wilson-Hartgrove and Villegas, who in 2003, along with Jonathan’s wife, Leah Wilson-Hartgrove, founded the Rutba House, an intentional Christian community located in Durham’s Walltown neighborhood, and asked them if they would write reflections on the scripture texts, which were also used during the community’s morning prayer time.

The reflections were turned over to Katz who then used them as the basis for her original fraktur art creations that accompany each reflection used in “On All My Holy Mountain.” Fraktur is an early American spiritual folk art that includes the kind of elaborate calligraphy seen in the text of Holy Mountain.

At the Heart of the Peace Church Tradition, part 1, by Patrick O’Neill
Divinity Magazine, winter 2007, volume 6, number 2

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Holy Mountain review …

“Pax Christi USA and Fellowship of Reconciliation ordered special editions.”

The final product, each one handcrafted by Rosenberry Books in a Chatham County (NC) workshop, is a combination of Diane’s artistic acumen and Rosenberry technological innovations, which allows Diane’s artwork to be reproduced with a quality that gives them an original-like appearance.

“We create books as an experience. An experience that takes you page by page through time the way a film does.” Katz said.

The text, which includes strong condemnation of war by Wilson-Hartgrove and Villegas, also caught the attention of two national peace organizations, Pax Christi USA, a Catholic peace group, and Fellowship of Reconciliation, an interfaith peace group. Both organizations ordered special editions of On All My Holy Mountain, which were personalized with appropriate prefaces for each organization.

In one reflection on Psalm 120, Wilson-Hartgrove wrote: “We are familiar now with the accusation that our nation fought a war based on lies. To the psalmist this is no surprise: peace is the truth, war always a lie and we the people, tangled in untruthfulness, mourn the absence, feel the wound of deceitful tongue, sharper than an F-16.”

Wrote Pax Christi: “On All My Holy Mountain offers us an opportunity to study Scripture and our reactions to it and to explore our strengths and shortcomings, as we commit to action for peace in our daily lives. This book recognizes that this process cannot be rushed.”

“Even when we know of the world’s injustices and dare to examine our role within them, how often in our busy lives do we sit in contemplation with sacred readings or with artwork that speaks to the Divine? How often do we slow down, allowing the messages to penetrate to the depths of our beings? How often do we leave these experiences a changed person?”

At the Heart of the Peace Church Tradition, part 2, by Patrick O’Neill
Divinity Magazine, winter 2007, volume 6, number 2

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“…about honoring the uniqueness in every child!”

Thank you for the brilliance that is Appletta! What a gift of *sparkle* you bring with your magical and incredibly inspired letters. A tradition that has become more about money is finally seeing a revival in MAGIC!!!

I have told everyone I know about Appletta (and so has my daughter!) — my younger daughter is eager to receive letters from her Tooth Fairy too! I can’t wait to receive my “Green Set” package!!!

When I first learned of you through WaldorfShop.net, I wasn’t necessarily shopping for Tooth Fairy alternatives, but when I found you!!!! WOW! Ideas about celebrating my children’s rites of passage with delight welled up within me — there is no going back now!!!

The letters are NOT just about teeth! They are about honoring the uniqueness in every child!

Although we are using the first few letters for loose-teeth-related purposes, I intend to intersperse them with other “nature” gifts from Appletta.

Appletta has certainly taken on a life of her own in our household — we have now begun an heirloom family tradition. Thank you!

I have read letters in the Blue Set, as well as the incredible book, Appletta Tooth Fairy and the Whirligigs.

Both my husband and I decided to let “nature take its course” and allow serendipity and synchronicity a hand at picking which letters come next — so we can delight in the discovery as well!

Thank you for your BRILLIANCE!!!!

In love and light,
Trace and family!

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“It is a masterpiece, not because I wrote it, but due to your art work and design.”

I am thrilled to share this book with you. Your creative artistry and design have added so much to this work. I love the Zodiac of Elvis! It’s an Elvis mandala. And,as you know, the foreword by Thomas Moore and the afterword by Clarissa Pinkola Estes are both outstanding and I’m sure that they will cherish their copies of the actual book.

Incredible artwork and research — you’ve made a good book great! It is a masterpiece, not because I wrote it, but due to your art work and design.

You and Philip are gifted artisans.

David H. Rosen, MD (from prepublication correspondence)

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Pieces of History, creation …

“Go first class’. That’s where Rosenberry Books came in.”

Jane approached Lynn Brower, whose museum shop at the state history museum is an unexpected mecca of local art. Jane had thought originally that “I would do the drafting for the new quilts and they’d just be photocopied as before.” Lynn, however, “suggested that for the anniversary symposium a more sophisticated presentation of the full-sized patterns be created. It seemed much more appropriate to ‘go first class’. That’s where Rosenberry Books came in.”

“When I drove away from Raleigh” remembers Diane Katz of Rosenberry books, “after my first meeting with Lynn and the curators, I had this big roll in my back seat of Jane’s pencil-drawings on graph paper. I knew that we were joining a marvelous and sizeable undertaking. But, oh-my-goodness, we only had a couple of months before the symposium!”

Diane is a book designer and an artist. Diane had no experience with quilts, “…not even a quilt in my grandparent’s house. But by the time the book was published, I felt as if I had made several quilts.”

The patterns were designed the old-fashioned way. There wasn’t time to learn the latest in quilting software. “We were a group of women,” Diane explains, “with a variety of skills, looking at some fine old quilts. We just put our heads together and figured out how the quilts could again be made.”

“The designs were drawn accurately, true to the original quilts, but had to be replicated for printing,” Jane adds,” and it has been accomplished magnificently. Our grandmothers used pencil and paper and scissors and hand-stitched these pieces together to form the block. It is amazing how accurate they are. (I remember one block that measured 19-1/4″ no matter how I tried to do it differently! And that is a strange measurement by any standard.)”

Inspiriation from Special Paper

The original idea was to make one edition of the book, as inexpensively as possible. Diane then discovered among her handmade paper sample books a shimmering silk-like jacquard checked paper and a mulberry paper with little colorful pieces of fabric imbedded in it. “We looked at each other and knew we had to create a deluxe edition using these beautiful fabric-like papers.”

Although time was extremely short, two handbound editions were available at the anniversary symposium. A standard and a deluxe edition continue to be handbound with linen cord by artisans in the woods of North Carolina.

Creating Pieces of History: a Handbound Book about Handmade Quilts, part 2
by Jane Hall and Diane Katz

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Tao of Elvis on display in National Portrait Gallery

“… serious contributions like … David Rosen’s The Tao of Elvis …”

Elvis Presley’s death on August 16, 1977, was closely followed by the deaths of two other seminal figures in twentieth-century entertainment. Bing Crosby died in Spain on October 14, 1977, while Groucho Marx passed away quietly in a Los Angeles hospital on August 19, 1977 — only three days after Elvis’’s death. Groucho was eighty-six, Bing was seventy-four, and Elvis was forty-two years old.

Since then, through depictions in popular culture and ephemera, only Elvis maintains an almost-palpable presence.

The world first became fascinated with Elvis through his music and his movies. The post-Elvis enchantment initially manifested itself in the form of sympathetic and not-so-sympathetic biographies.

Since 1977 the canon of printed literature invoking the name of Elvis has grown, including serious contributions like Erika Doss’s Elvis Culture and David Rosen’s The Tao of Elvis, as well as a surfeit of non-academic books like Brenda Butler’s Are You Hungry Tonight?.

Biographical films about Elvis appeared as early as 1979. Later films, such as the haunting Mystery Train and the conspiratorial Bubbahotep, feature dark and fantastic portrayals of Elvis.

The world of visual art has also become a repository for images of Elvis — tributary, allegorical, and satirical. Today, Elvis is the subject of works —in every form and medium possible — by artists from all over the world. His face is no longer the face of the man who sang, danced, and played the good guy on the silver screen; rather, it is the face of an icon whose character echoes the views and passions of the artists who portray him.

Elvis, it seems, is here to stay.

National Portrait Gallery exhibit 1/8/10 to 10/29/10

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